Natalia GAVRILOVA
THERE ARE A LOT OF NERVOUS MOMENTS
The residents of Simferopol and the whole of the Crimea now have to decide for ourselves what is best for them to continue to live as we have lived before, or to actively embrace change. For those who are waiting for change, say they are coming. And to be they are not just patching the holes, and “to the ground, and then”. It is clear that any change others, or approved, or categorically rejected. Let us examine the situation around the puppet theatre, which the authorities scheduled for demolition.
Symbolically, that change in the architectural appearance of the capital of the Republic will begin with a puppet theater: children are our everything. It is difficult to say whether this decision is deeply thoughtful, or just the time, but if you start any change, it is best to start with them, with children. It has been noticed: it is necessary to replace, say, the tiles in the bathroom as the unknown force that incites you to repair all that arm will fall: too big contrast between the new and old occurs.
A meeting of the Council of the Public chamber
So let the architects in the effort to transform the Simferopol focus on what will appeal to children — they live in this city, he for them. Bright, modern, beautiful and comfortable building for both the audience and the actors can become a kind of tuning fork in the future “repair” of the whole city — and at the same time and the Crimea.
Perhaps the decision to start with puppet influenced by the fact that this will be done at the Federal money — so that was the main factor.
Arina Novoselskaya, Grigory Ioffe, Ernst Mavlyutov
As soon as it was uttered this phrase, the theatre, and immediately found willing to leave things as they are. Well, there, to color-adjustments. Supposedly, the building is historical, “in childhood we went there”. In social networks this group is immediately evident activity. The public chamber had to on this occasion is the second meeting, this time inviting the most active opponents of the construction.
So what we have on this subject to date. From the speeches at the meeting OP the Minister of culture Arina Novoselskaya and chief architect of Simferopol Ernst V. we have learned that, and most importantly — the decision to build a new building made and it will be built on the site of the old. Is that the discussion is not subject. Already allocated money — a billion 82 million rubles, and this is serious.
Why demolish an old building? Yes because it’s an emergency, built without foundations, it’s damp, for children there is simply unsafe to be around. There’s evidence in the form of results of various examinations. Originally this building was built for the club of power, that is, it is fit, therefore, in the workshops, where the dolls themselves, cold, for the actors, and then winning in various competitions, there are no conditions. And a monument of architecture, it by no means is.
This is how the collective actors theatre
Why is this not told before? Said — but who listened…
And as a creative team to this theme treated? As Arina Novoselskaya said, “he’s just happy.” Perhaps in this there is no doubt, but somehow the meeting didn’t invite the Director of the theatre — and from his lips it would have sounded much more convincing. Moreover, the theatre will have very hard times. The building must be demolished just before the start of the construction, but the team moves down from there right now — need to carefully examine the soil, to carry out geological prospecting and everything else that in these cases relies.
The new theater can be so…
According to the Minister of culture — “the responsible Manager”, a plan to implement this Federal program lines is as follows: in March 2016 must be prepared preliminary documents on allocation of a land plot, and also will be a competition for the design of the building itself. That is what someone saw is already a figure called “the project”, is not: not even a contest! It needs to end only in December of the current year. And in March of 2017 will be announced a tender for construction. Enter into operation in 2018. This is if you omit all the intermediate points of this plan.
I want to see in this building? Novoselsky lists: the building will be three to four stories, with two auditoriums one hundred and three hundred. Buffet for children. On the upper floors — workshops and children’s studios for theatrical creativity. So it will be not just a puppet theater, but the center children’s theatre arts.
Back to the creative team — that is, until will build their new home, they will be without jobs, kids without performances? No, says nowosielski. Already found a room for props, soon, theatre will appear mobile stage — wagon special, the theater will be more work on the road. But then I do not really understand: in the story, which will host the three years performances in the city, and sounded the officers ‘ club, and one of the venues — Small stage — Russian theatre.Gorky.
However, knowledgeable people have noticed that in the Russian theatre that they need to share one of the six sites, heard nothing and don’t want to hear. What the Minister said sternly that the theatre is public, not private, and certainly not family, and at the next meeting of the Council of Ministers will have adopted a separate decree, and consent to its adoption of the management of the theatre is not required.
Or so…
In General, it is difficult, but will solve, or what kind of Minister…
As in hall and invited opponents, it was their and listen. In General they agreed — heard information convinced them. But Lily Didenko, an active social worker, was confused by the lack of Parking at the new building of the future. Children will bring on the machines, she was going through, so you need to make a theater somewhere on the outskirts. To this she replied that the children in the theatre groups and are specifically longer lead through the centre, telling and showing the way, all that is worthy of this show. Anyway, there is nothing in the city to drive you should do a city for pedestrians — it’s all celostnosti V. Ernst.
In General, misters-companions, the decision is made; in our narrow-minded view, it’s correct, interesting, the main thing is that everything was done as promised. But the right path is not lost, OP created the post of social control, headed by the General Director of the Central Museum of Tauris Andrei Malgin. He joked: a pier, the main controller out of the window 615 of the Cabinet will observe, it really is not zabaluesh — a hint of the Grigory Ioffe.
And the head of the OP, in closing the meeting, wished them patience and perseverance to the Ministry of culture and Mavlutova — ahead, apparently, there will be many nervous moments…
