His imagination knows no bounds.
Looking at the stunning work of George Grieux (George Grie), do not get tired marvel of human imagination. Master digital art, Grieux became one of the first artists neosurrealism in digital format. His work is a combination of classic surrealist symbolism and modern Fantasy style.
George Grieux eng. George Grie, (born may 14, 1962) was one of the first artists neosurrealism in digital art. It is widely known for the numerous works in two-dimensional and three-dimensional computer graphics.
The art style of George Grieux was formed under the influence of such well-known Surrealists like Rene Magritte and Salvador Dali, Fantastico-realists zdzisław Beksiński and Wojciech Siudmak, and surreal-photographer Jerry Uelsmann.
Paintings of George Grieux full powerful visual impressionism and philosophical research. The use of photo-realistic painting style enhances the visual perception of his surrealist ideas.
Its computer artworks are an extraordinary visual reflection of his thoughts, philosophical beliefs and fantasies. Often traveling into the subconscious, George Grieux shows a magical and playful, sometimes like a dream, the world, adorned with luxurious details.
Illusions, mystic romanticism, magic and fantasy are widely represented in his photo-realistic virtual world, not always calm and peaceful. The tension and alienation is an inseparable part of the events taking place in the landscapes of his imagination.
The commitment of George Grieux to the photo-realism is one of the reasons he diametrically changed his artistic career from traditional painting to digital art.
He becomes a professional multimedia schedule designer and starts working as a leading specialist in interactive advertising at IBM.
His main interest became the modern program to create 3D models of 2D & 3D digital art-design software and digital painting.
The possibility of applying his background in fine art and classical painting education in new software projects, allows him to Express his artistic concepts without the constraints.
